movies

Leonard Maltin's 2009 Movie Guide (Leonard Maltin's Movie Guide (Signet))

The New York Times bestselling film guide— revised and updated

The most authoritative book of its kind, now with more entries than ever before, updated and revised for 2009. There’s just no competition for a book that has “essentially cornered the market” (New York Times Book Review).

Sex and the City

From the team who brought you Sex and the City: Kiss and Tell comes this must-have companion to the movie millions have been waiting for. This sleek hardcover volume gives reader exclusive entrée into the world of Sex and the City: The Movie.

In addition to a storybook-style telling of the film, the book includes mouth-watering bonus features not available anywhere else: behind-the-scenes stories from Kim Cattrall, Kristin Davis, Cynthia Nixon, star and producer Sarah Jessica Parker, writer and director Michael Patrick King, as well as producers and other key cast and crew members; a guide to the movie's multi-million—dollar fashion closet, including insight from costume designer Patricia Field; and an insider's tour of the movie's many locations, some of which have never before appeared on film.

All of this behind-the-scenes information is accompanied by more than three hundred stunning, luscious, full-color images. This beautiful keepsake is sure to bring some big-screen glitz and glamour to every reader's bookshelf.

Understanding Movies, 11th Edition

Helps readers understand how the many languages of film work together to create meaning. Louis Giannetti organizes Understanding Movies around the key elements of filmmaking, including cintematography, Mise en Scène, movement, editing, sound, acting, drama, casting, story, screenwriting, ideology, and theory. He synthesizes every element through a complete case study: Citizen Kane. This book's ideas are illuminated with hundreds of high-quality still photos, more than 70 in full color, taken from movies such as The Matrix, Almost Famous, jackass the movie, Chicago, Lord of the Rings, Mystic River, and Traffic. New in this edition: a full section on contemporary special effects and computer generated imagery (CGI); up-to-the-minute information on new developments in film technology; more coverage of recent films and filmmakers; more ethnic diversity (including new material on the Islamic cinema); and more lavish use of color and high-quality paper. An updated Companion Website contains animations, video clips from interviews with movie professionals, and Research Navigator access to New York Times film reviews. For everyone who wants to understand the artistry and meaning of the movies.

Videohound's Golden Movie Retriever 2009 (Videohound's Golden Movie Retriever)

iMovie '08 & iDVD: The Missing Manual

Whether you consider yourself a pro or a hobbyist, you have to admit that Apple's iMovie 08 and iDVD 08 are amazing right out of the box. Unfortunately, the box doesn't include much of a user's guide, so learning about these applications is another matter. iMovie 08 & iDVD: The Missing Manual gets you up to speed on all of the themes, motion graphics, titles, effects -- everything that lets you turn raw digital footage into highly creative video projects. You get crystal-clear and jargon-free explanations of all the iMovie 08 and iDVD 08 features, including the new video library, how to view transitions, titles, and sound in real time as you add them, and ways to publish your creations directly to YouTube. Renowned author David Pogue -- tech columnist for the New York Times -- uses an objective lens to scrutinize every step of process, including how to: Work on multiple iMovie projects at once and drag & drop clips among them Output your creation to a blog, its own web page, or as a video podcast with iWeb Use "Magic iMovie" to import your video and make a movie for you Integrate with other iLife programs to use songs, photos, and an original sound track And a whole lot more From choosing and using a digital camcorder to burning the finished work onto DVDs, posting it online, or creating versions for iPod and iPhone, iMovie 08 & iDVD: The Missing Manual zooms right in on the details in a concise and understandable manner. The book also provides a firm grounding in basic film technique so that the quality of your video won't rely entirely on magic.

Save the Cat! Goes to the Movies: The Screenwriter's Guide to Every Story Ever Told

In the long-awaited sequel to his surprise bestseller, Save the Cat!, author and screenwriter Blake Snyder returns to form in a fast-paced follow-up that proves why his is the most talked-about approach to screenwriting in years. In the perfect companion piece to his first book, Snyder delivers even more insider's information gleaned from a 20-year track record as ?one of Hollywood's most successful spec screenwriters, ? giving you the clues to write your movie. Designed for screenwriters, novelists, and movie fans, this book gives readers the key breakdowns of the 50 most instructional movies from the past 30 years. From M*A*S*H to Crash, from Alien to Saw, from 10 to Eternal Sunshine of the Spotless Mind, Snyder reveals how screenwriters who came before you tackled the same challenges you are facing with the film you want to write ? or the one you are currently working on.

Rebel without a Crew: Or How a 23-Year-Old Filmmaker With $7,000 Became a Hollywood Player

How to Write a Movie in 21 Days

No book can find your ideas for you, but this one provides a great service in helping you discover and develop a story, and to come up with the completed script. King helps you learn to think cinematically, in the language of the movies, and to keep asking the essential questions as they work: What's the story? Who is the story about? Do you care about the characters? Does anyone? King also tries to help you survive not just the structural pitfalls that can derail a script, but also the mental or emotional whirlpools that can prevent any artist from finishing a project.

The ultimate survival guide, How to Write a Movie in 21 Days takes the aspiring screenwriter the shortest distance from blank page to complete script.

Viki King's Inner Movie Method is a specific step-by-step process designed to get the story in the writer's onto the page. This method guides the would-be screenwriter through the writing of a movie. It answers such questions as:

• How to clarify the idea you don't quite have yet

• How to tell if your idea is really a movie

• How to move from what you want to say saying it

• How to stop getting ready and start

Once you know what to write, the Inner Movie Method will show you how to write it. It also addresses such issues as:

• How to pay the rent while paying your dues

• What to say to your spouse when you can't come to bed

• How to keep going when you think you can't

For accomplished screenwriters honing their craft, as well as those who never before brought their ideas to paper, How to Write a Movie in 21 Days is an indispensable guide. And Viki King's upbeat, friendly style is like having a first-rate writing partner every step of the way.

Making Movies

It's well known that a vast number of people work on any given movie in roles as varied as writing scripts, choosing locations, dressing sets, costuming the players, lighting scenes, manipulating the camera, directing actors, editing film, working on sound, advertising the finished product, and screening it to an audience. Have you ever thought about how these components are collated? Or why the director is most often considered the author of a film? Wonder no more, because Sidney Lumet's Making Movies is a terrific journey through each stage of filmmaking that is overseen by the director. Lumet, the veteran director of Twelve Angry Men, The Pawnbroker, Serpico, Dog Day Afternoon, Network, The Verdict, and many other fine movies, knows the ins and outs of American filmmaking as well as anyone. In this excellent, personable account, Lumet tells what he's learned about making movies in the course of the last 40 years. He shows why fine directors need to have strong imaginations, extraordinary adaptability, and skill in many different fields. His enthusiasm for his life's work, particularly his love of actors, is evident on every page of this book. As Herculean as the labors of film directing are, Lumet takes great pleasure in his work, almost guiltily admitting that the film director's job is "the best in the world."

From one of America's most acclaimed directors comes a book that is both a professional memoir and a definitive guide to the art, craft, and business of the motion picture. Drawing on 40 years of experience on movies ranging from Long Day's Journey Into Night to The Verdict, Lumet explains the painstaking labor that results in two hours of screen magic.

On Directing Film

According to David Mamet, a film director must, above all things, think visually. Most of this instructive and funny book is written in dialogue form and based on film classes Mamet taught at Columbia University. He encourages his students to tell their stories not with words, but through the juxtaposition of uninflected images. The best films, Mamet argues, are composed of simple shots. The great filmmaker understands that the burden of cinematic storytelling lies less in the individual shot than in the collective meaning that shots convey when they are edited together. Mamet borrows many of his ideas about directing, writing, and acting from Russian masters such as Konstantin Stanislavsky, Sergei M. Eisenstein, and Vsevelod Pudovkin, but he presents his material in so delightful and lively a fashion that he revitalizes it for the contemporary reader.